INSTRUMENTAL TRAINING.

INSTRUMENTAL TRAINING.
 
The truest form of cumbia is purely instrumental, rhythmic patterns still vary with the instrumentation used in Compass 2/4 or 2/2, and has regional adaptations according to the predominance of an indigenous or black. It is traditionally performed and followed by the drum set: Caller, cheerful, drum and flute or bagpipes million male and female, maracas and gouache. The cumbia sung is a relatively close adaptation in which the singing of choruses and quartets and soloists alternate with that of the flute or the bagpipes million. The set of cumbia is a further evolution of the original set of drums, drum assembly being formed by the cheerful drum and the caller and, in some cases, by the drum. It is a dance merely sung, as Chande, with their palms and choirs, next to which were added after the whistles of the bagpipes or millos. 

BAGPIPES.

Indian ancestry aerophone Instrument: right pipes manufactured from cardon heart with a wax formation at one end in which is inserted a slot and a cylindrical appendage is generally based on a duck feather, by way and nozzle channel, respectively, with variable orifices between 3 and 6 to the lower body.

FLUTE MILLION.

Aerophone instrument that replaces indigenous bagpipes. Get other denominations as millet flute, reeds, can, or bamboo. It is open at its two ends, about 25 to 30 cm long and 1.5 to 2 cm in diameter, usually. It has four holes.

DRUMS.

Membranophones percussion instruments of African origin, consisting of a resonance box, usually cylindrical, but sometimes somewhat conical, and one or two membranes or animal leather patches covering the opening of the box.

GUACHE.

Idiófono rhythm instrument like maracas, and is responsible for accompanying these versatile and vivacious musical improvisations led by the cheerful drum coquetry.